With my admittedly harsh comments yesterday regarding the recent output of the comic industry's Big Two publishers I should probably clarify exactly what it is I am reading. You might be surprised to find my LCBS pull list is nearly half what I so offhandedly referred to as New 52 fluff. While my opinion of DC's continuity relaunch is mixed at best, its probably left to a blog post all its own. Suffice it to say, there are some great comics to be found among the editorial muck.
On the flip-side, I have exactly two Marvel titles reserved in paper copy. This can fluctuate from week-to-week depending on rotating creative teams and might change entirely with the coming Marvel New 22NOW! relaunch starting this October. Secret Avengers, Uncanny X-Men, and Wolverine & the X-Men were solid reads until they took on the role of token summer event tie-ins, the latter looking to be the first AVX victim to be released from the asylum with this week's issue. *psst* Chris Bachalo's back on art; can't miss it.
My love of Rob Liefeld's relaunched and completely re-purposed Prophet and Glory kill me a little inside with each recurring issue. Brandon Graham (King City, Multiple Warheads) and crew have taken the former comic atrocity and re-imagined it into a Heavy Metal romp—an intergalactic barbaric adventure through the artistic lens of three of the industry's best. It could only be topped by Brian K. Vaughn's (Y: the Last Man, Ex Machina) adult Star Wars space saga Saga, which is ironic given its childhood inspiration and children's book illustrated narrative style.
Having been raised on pioneer indie publishers Image Comics and Dark Horse, Sam Keith's psychological head-fuck the Maxx and Mike Mignola's brimstone bruiser Hellboy were my two watershed influences. It only makes sense I would seek out similarly unique and non-editorially shackled books. Luckily Image has become an increasingly popular presence in the industry—arguably on the back of the Walking Dead's success—and has been pumping out creator owneds and this December sees the return of Mignola on story and art with Hellboy In Hell. All I asked was a jumping on point on one or two indie titles and I've been given a cornucopia.
Today being New Comic Day, as Big Bang Theory has attempted to catch-phrase into popularity, I should probably list today's purchases and downloads. Reviews/comments/vague oversight to come, possibly maybe. Check it:
Purchase: Wolverine & the X-Men #16, Batman #0, the Victories #2, Uncanny X-Force #31, the Manhattan Projects #6
Download: AVX #11, Uncanny X-Men #18, Batman & Robin #0, X-Treme X-Men #3, Creep #1
Tomorrow, some music news: the passing of an indie label great, and an update on colossus fave Black Moth Super Rainbow. Lates.
Having been raised on pioneer indie publishers Image Comics and Dark Horse, Sam Keith's psychological head-fuck the Maxx and Mike Mignola's brimstone bruiser Hellboy were my two watershed influences. It only makes sense I would seek out similarly unique and non-editorially shackled books. Luckily Image has become an increasingly popular presence in the industry—arguably on the back of the Walking Dead's success—and has been pumping out creator owneds and this December sees the return of Mignola on story and art with Hellboy In Hell. All I asked was a jumping on point on one or two indie titles and I've been given a cornucopia.
